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Onna-Bugeisha or female samurai, formed a small section of the traditional Japanese upper class. Many wives, widows, daughters, and rebels answered the call of duty by engaging in battle, commonly alongside samurai men.<br/><br/> They were members of the bushi (samurai) class in feudal Japan and were trained in the use of weapons to protect their household, family, and honor in times of war. They also represented a divergence from the traditional 'housewife' role of the Japanese woman. Consisting of the female word onna (woman) and the masculine bugeisha (warrior), the term creates a misnomer, which can be quite controversial. Nevertheless, onna bugeisha were very important people in ancient Japan.<br/><br/> Significant icons such as Empress Jingu, Tomoe Gozen, Nakano Takeko, and Hojo Masako were all onna bugeisha who impacted Japan, shaping it into the country it is today.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. In Japanese, it is called chanoyu (茶の湯) or chadō, sadō (茶道). The manner in which it is performed, or the art of its performance, is called otemae (お手前; お点前). Zen Buddhism was a primary influence in the development of the tea ceremony.<br/><br/> Tea gatherings are classified as chakai (茶会) or chaji (茶事). A chakai is a relatively simple course of hospitality that includes confections, thin tea (薄茶 usucha), and perhaps a light meal. A chaji is a much more formal gathering, usually including a full-course kaiseki meal followed by confections, thick tea (濃茶 koicha), and thin tea. A chaji can last up to four hours.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
Onna-Bugeisha or female samurai, formed a small section of the traditional Japanese upper class. Many wives, widows, daughters, and rebels answered the call of duty by engaging in battle, commonly alongside samurai men. They were members of the bushi (samurai) class in feudal Japan and were trained in the use of weapons to protect their household, family, and honor in times of war.<br/><br/> They also represented a divergence from the traditional 'housewife' role of the Japanese woman. Consisting of the female word onna (woman) and the masculine bugeisha (warrior), the term creates a misnomer, which can be quite controversial. Nevertheless, onna bugeisha were very important people in ancient Japan.<br/><br/> Significant icons such as Empress Jingu, Tomoe Gozen, Nakano Takeko, and Hojo Masako were all onna bugeisha who impacted Japan, shaping it into the country it is today.
Uemura Shōen (上村 松園, April 23, 1875 – August 27, 1949) was the pseudonym of an important woman artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune.<br/><br/> Shōen was known primarily for her bijinga paintings of beautiful women in the nihonga style, although she also produced numerous works on historical themes and traditional subjects.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
Emperor Kōkō (光孝天皇 Kōkō-tennō, 830 – August 26, 887) was the 58th emperor of Japan, according to the traditional order of succession. Kōkō reigned from 884 to 887.<br/><br/> Before his ascension to the Chrysanthemum Throne, his personal name was Tokiyatsu (時康親王) or Komatsu-tei. He would later be identified sometimes as 'the Emperor of Komatsu'. This resulted in the later Emperor Go-Komatsu adopting this name (go- meaning 'later', so 'Later Emperor Komatsu' or 'Emperor Komatsu II').<br/><br/> Tokiyatsu Shinnō was the third son of Emperor Nimmyō. His mother was Fujiwara no Sawako. Kōkō had four Imperial consorts and 41 Imperial sons and daughters.
The revenge of the Forty-seven Ronin (四十七士 Shi-jū-shichi-shi), also known as the Forty-seven Samurai, the Akō vendetta, or the Genroku Akō incident (元禄赤穂事件 Genroku akō jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushidō.<br/><br/> The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira.<br/><br/> In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots.<br/><br/> Fictionalized accounts of these events are known as Chūshingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.<br/><br/>
According to one historical account: 'Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swordswoman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot. She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow; and she performed more deeds of valor than any of his other warriors'. She is believed to have fought and survived the Genpei War (1180–1185).
According to one historical account: 'Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swordswoman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot. She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow; and she performed more deeds of valor than any of his other warriors'. She is believed to have fought and survived the Genpei War (1180–1185).
Lady Hangaku (Hangaku Gozen) was a female warrior samurai, one of the relatively few Japanese warrior women commonly known in history or classical literature. She lived at the end of the Heian and the beginning of the Kamakura periods. Daughter of a warrior named Jo Sukekuni, she was sister of Sukenaga and Sukemoto. The Jo were warriors, allies of the Taira clan, in Echigo Province (present-day Niigata Prefecture). They were defeated in the Genpei Wars, and lost most of their power. In 1201, together with her nephew Jo Sukemori, she raised an army in response to Sukemoto's attempt (the Kennin Uprising) to overthrow the Kamakura Shogunate. Hangaku and Sukenaga took a defensive position at a fort at Torisakayama under attack from Sasaki Moritsuna. Hangaku commanded 3,000 soldiers to defend against an army of 10,000 soldiers loyal to the Hojo clan. Ultimately she was wounded by an arrow and captured; the defenses then collapsed. Hangaku was taken to Kamakura. When she was presented to the shogun Minamoto no Yoriie, she met Asari Yoshito, a warrior of the Kai Genji, who received the shogun's permission to marry her. They lived in Kai, where she is said to have had one daughter.
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
According to one historical account: 'Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swordswoman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot. She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow; and she performed more deeds of valor than any of his other warriors'. She is believed to have fought and survived the Genpei War (1180–1185).
The renowned female samurai, Tomoe-gozen in the 11th Century. Her husband or love was the Genji General Kiso Yoshinaka.<br/><br/> According to the 'The Tale of Heike', Tomoe was especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swords-woman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot.<br/><br/> She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow, and she performed more deeds of valor than any of his other warriors.
Onna-Bugeisha or female samurai, formed a small section of the traditional Japanese upper class. Many wives, widows, daughters, and rebels answered the call of duty by engaging in battle, commonly alongside samurai men. They were members of the bushi (samurai) class in feudal Japan and were trained in the use of weapons to protect their household, family, and honor in times of war. They also represented a divergence from the traditional 'housewife' role of the Japanese woman. Consisting of the female word onna (woman) and the masculine bugeisha (warrior), the term creates a misnomer, which can be quite controversial. Nevertheless, onna bugeisha were very important people in ancient Japan. Significant icons such as Empress Jingu, Tomoe Gozen, Nakano Takeko, and Hojo Masako were all onna bugeisha who impacted Japan, shaping it into the country it is today.
The revenge of the Forty-seven Ronin (四十七士 Shi-jū-shichi-shi), also known as the Forty-seven Samurai, the Akō vendetta, or the Genroku Akō incident (元禄赤穂事件 Genroku akō jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushidō.<br/><br/> The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira.<br/><br/> In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots.<br/><br/> Fictionalized accounts of these events are known as Chūshingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.